Sunday, September 30, 2007

Effective Design

Developing new products and services rapidly and effectively is a very important skill in many businesses and the ‘decision to design’ can commit the business to hundreds of thousands of pounds and many months of work, as well as significant risk. The focus needs to be on minimising cost whilst reducing the time taken to develop the product or service and reducing the business’s risk exposure.

The problems with traditional design processes are that they occur sequentially and often involve ‘over the wall engineering’ in that one department ‘throws’ the design to the next department who then have to unpick the problems that have been designed in, often at great cost. In manufacturing companies, often the design engineers will not understand the production process and will design a product which cannot easily be made, or is too expensive, and in service companies often the marketing team will not understand in detail the operations function and will promote a product which is difficult to manage effectively – both examples of dysfunctional and sequential design.

During WWII, the need for rapid product development was recognised and the concept of Concurrent Design (CD) was born. The backbone of CD is the formation of a multi-function team consisting of designers, production, quality and test engineering personnel and key suppliers to develop a new product. This changes the cash flow profile (ie more money is spent earlier on), but can easily reduce the ‘time to market’ and post-design changes by 75% as well as reducing the actual development spend by up to 40%.

CD is a concept which is viable for both manufacturers or service sector businesses, but for manufacturers is complemented by Rapid Prototyping tools and techniques which have evolved to a new level of sophistication over the last 20 years, again reducing the time taken to receive solid models from weeks to hours and contributing to shorter development times.

Reducing time to market for new products and service can be shown to have many benefits including increased market share, longer product lifecycles and higher margins, but requires collaboration between departments and companies and the adoption of new practices and processes in the design value stream.

Mark Eaton holds the Viscount Nuffield Medal for his contribution to UK Industry and has held numerous senior positions within industry, as well as holding the post as Director of a number of major public sector programmes. Mark is Chair of the IET's Manufacturing Network and the IOM's Operations Development Panel which aims to promote best practice in Operations Thinking in Manufacturing & Healthcare.

Tel: +44 (0)870-446-1002

Saturday, September 29, 2007

Top Website Design: Top 3 Elements of Website Design

If Website usability and search engine optimization create an easy-to-find, easy-to-use Website, then the aesthetics or looks of the site becomes icing on the cake, creating a unique Website design. A pleasing, professional layout builds your brand image, makes a more inviting site, helps visitors feel more comfortable, all of which feeds back to the Website usability and search engine optimization results.

Top 3 elements of Website design

1) Develop a page hierarchy. Don't just dump everything on the Web page. Build a flow of information through the use of white space, heads and subheads, type size and style. Some items on the page are more important than other items. Make those distinctions clear and help your Website visitors understand what is most important.

2) Use color effectively. Study the meaning conveyed by different colors and use appropriate colors on your Website. Use colors that make reading easier. For instance, you may love bright pinks and blues but putting them together on a financial services Website just doesn't make sense and will impede the readability of text on the Website. Use a color wheel to help develop a pleasing and appropriate color palette for your unique Website design.

3) Top Website designs eliminate the use of distracting backgrounds or busy backgrounds that can reduce readability. Overly textured or cluttered Web page backgrounds take attention away from what's important on the page and can make reading text a real chore. Before you add that cute graphic behind the text on your Website design, take an objective look at the effect it has on clarity and ease of reading. Move these kinds of backgrounds out of text areas on your Website.

Top Website design is not just pretty. In fact, pretty is pointless on a site that can't be found or is difficult to use. The three tips above aren't really about making a pretty Website. They are about using principles of aesthetics to make your Website better at communicating with visitors.

Objectively view your site for workability first. Is it easy to use? How well does your Website place in search results? Does it accurately reflect the professionalism and brand image you want? Does your Website express your unique message?

Try this Color Scheme Tool to help develop an appropriate color palette for your Website.

Then learn more about top Website design at Read the newsletter or subscribe to the Ballyhoo Blog for more information and tips on marketing, graphic design and Website development.

By: Cynthia Pinsonnault

Thursday, September 27, 2007

Quick Web Site Design - 5 Steps for Web Site Design

The number of websites on the Word Wide Web is on a rise for past many years. At present the number of websites existing on the internet is in the millions. As a result it has become really important for the websites and their marketers to find ways of standing out of the crowd. If an internet surfer starts searching about a particular product on the internet, he or she must be able to locate you. If you are search engine friendly and the search engine finds you for him or her, you will be able to make a sale and the volume of business will grow. To achieve this level of being search engine favorite, you need to spend lots of money on advertising and promotion of your website. This money which you spend has to be compensated somehow. To compensate it, the best way is to design your website in a manner which can help you in making lots of money through your website.

Designing your web site can be a very interesting job. Most importantly and firstly, you need to know in detail about the requirements of your online business. Then you need to understand your budget and the plans of making money through your website should be very clear to you. When you are done with this planning phase, you can present this idea to some one who is a web designer. You must have some vacant space on your website so that you can place paid ads and links on that space. This will increase the amount of money you will make.

Do you want to learn more about how I do it? Secrets of Article Marketing

Raymond Nesa is an experienced web marketer specializing in article marketing, traffic generation, and list building.

By: Raymond Nesa

Fast Web Site Design - 9 Ways to Advance in Web Site Design

Just creating a web site is not sufficient as web site design trends usually change with time. However with some minute changes in your website design, you can find your website improve and bring in more traffic for you.

With the many brands of computers available in the market today it is important that your website design is compatible with most computer systems. If there are features in your website required, place a download link in your website. Make sure that all the pages in your website are complete; if you have to include incomplete pages, ensure that there is some informative content on the page that motivates people to check back later.

Keep a constant upgrade of your content by adding new additions to the web pages with the improvements and modifications in your business. Check your website for spelling mistakes, typos and grammatical content too. If you use graphics in your website, use them sparingly as too much of graphics only makes people impatient while waiting for your website to load while websites without graphics prove to be boring.

Keep your web design filled with interactivity with the surfers by adding mail lists, ezines, message boards and guest books. You could also include contests to make your customers return for more. If you have links on your website, make sure that they are all in working condition. Pages that are removed from your website have to have a custom 404 page redirecting visitors to your home page.

Make sure that your website takes no longer than eight seconds to download as if it takes longer, the visitor may leave your website. Your website design has to be such that it is easy for the visitor to navigate on your website. They have to find what they were looking for!

Search engine optimization is important for a successful website as this is the only way you could get a good search engine ranking. With a good search engine ranking, you get more traffic to your site. Last, but not least, please ensure that your website design is consistent with all your business goals. This is because the look and feel of your website design reflects your style.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

By: James Krawder

Wednesday, September 26, 2007

Productive Web Site Design - 4 First Steps to Web Site Design-

There is no point in just going ahead and creating a website for your business. It is only if the right steps are taken into creating a productive website will you find some profit and benefit from the website. The content is the most important part of the website. Create content for the website using keywords the user will most probably use to make searches to reach your website. With the right keywords, you find it easier to get a good ranking for the website in search engine directories.

When you choose a domain name for the website, make sure the name is something that refers to your topic as this will also help in search engine ranking. When buying a domain name, you also need to buy hosting for the site. Choose the hosting program that best suits your needs.

Another point to remember while creating productive websites is not to use too much flash on the website. Though flash may make the website look interesting, it reduces the loading time of the website as flash has a longer downloading time.

There are other key factors to keep in mind while creating your website with Search Engine Optimization like linking and pictures. Though pictures may look great on the site, there is no point in using too many pictures on the site as robots can’t read pictures for information. Using page links is something beneficial in search engines; however make sure you link the pages to your website properly lest you end up with links that bring up an error page. Once you complete the website, check that links work as with the right links, it is very much possible to increase the traffic, and productivity to your website.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

By: James Krawder

Tuesday, September 25, 2007

Vector Logo Design Vs Raster Logo Design

Raster graphics are images that are defined in terms of a generally rectangular grid of pixels, or picture elements. Each pixel is one small square of colour, which, when combined with other pixels side by side, merge together to form one solid image to the eye.

Raster formats
There have been a number of formats developed over the years to store raster graphics. Some of the most popular formats are discussed below, each with their advantages and disadvantages.

BMP - Bitmap Graphics (Avoid wherever possible)

Easy to create with the built-in Windows Paint program.
Long history, therefore good, universal support.
No compression means the format is lossless.
Creates huge files since no file compression is used.
No transparency.

GIF - Graphics Interchange Format (Good for the web, on images of less than 256 colours, for example simple geometric shapes e.g. bullets for lists)

Creates small files as good compression is used.
Universally supported across platforms.
Transparency supported.
Animation supported.
Palette of colours limited to 256 per image.
Transparency is only 1-bit, therefore no translucency.

JPG - Joint Photographic Expert Group (Good for the web, for images like photographs where colour depth is important but lossless formats produce large file sizes)

Lossy compression format produces relatively small files.
Universally supported across platforms.
Artifacts visible at high compression rates.
No transparency.

PNG - Portable Network Graphics (Great for the web, but be careful if using transparency. Good trade-off of quality and compression)
Both lossy and lossless compression available.
Both 1-bit and full alpha channel transparency available.
Small file sizes produced.
Poor support in some web browsers for full channel transparency.
Compression not as great as lossy formats.

Vector Graphics
Where raster graphics are defined in terms of individual pixels, vector graphics are actually stored as mathematical rules - widths, heights, curves, proportions, ratios. Where raster graphics have a set height and width and look pixelated when stretched beyond these boundaries, vector graphics render themselves to the space given to them, such that they are resolution independent. login in to to view image exmaples of raster vs vector.

Vector based logos is not based on pixels any longer. It is based on points set at proportional distances, joined with lines and curves, and filled with a solid black colour. When drawing curves in vector graphics programs, a number of points are defined and dragged such that a smooth curve is plotted. This curve is independent of dimensions but is saved as in proportions and ratios such that it will scale to any resolution.

Vector artwork can be modified and stretched without havinng to worry about loss of quality, clarity or sharpness. Because of their mathematical origins, Vector Graphics are readily scalable without distortion.

Vector graphics formats

Again, a number of formats exist for storing vector graphics, each with their advantages. It is important to note that, by their very definition, vector graphics are SMALL in comparison to raster graphics when it comes to file size. Since they are not saving information on each and every pixel, but rather rules for rendering, file size is cut immensely. The universally accepted format for vector graphics, particularly when it comes to company logos and sending files to print, is EPS - Encapsulated PostScript. PostScript is a format developed by Adobe to describe pages to a printer, plotter, or screen. Rather than storing straight data it stores instructions for the makeup of the page. Fonts are stored as individual character vector objects, for example, so they can be printed at as high a resolution as the printer can print. Macromedia's Flash technology is an excellent example of vector graphics working at their finest - whatever the window size, vector elements of the Flash movie appear crisply anti-aliased, and individual frames can even be printed in high resolution due to the vector-based nature.

Popular raster graphics programs

Adobe Photoshop
Jasc Paint Shop Pro
Macromedia Fireworks (tailored to web design)

Popular vector graphics programs

Adobe Illustrator
Macromedia Freehand
Macromedia Fireworks (tailored to web design)

Popular vector graphics animation programs
Macromedia Flash

A good question. At first glance, vector graphics seem to overcome all the difficulties of raster graphics. They can be resized to any size without loss of quality, and pixelation just doesn't occur. File size is also greatly reduced. However, each format has an individual purpose. A photograph cannot be expressed as a vector graphic because it simply isn't vector data. A sunset cannot be defined mathematically, at the risk of starting a philosophical argument on the world around us. The real world is not vector-based. The table in front of you has an infinite pixel depth, infinite variations in colours, infinite variations in relief and texture. Vector graphics are reserved for images such as typefaces, lines, curves. Complex vector images can be created but they have been created specifically in vectors. Photographs and complex raster effects like lens flares are defined with pixel-by-pixel lighting and colour effects, not with vectors.

Logos for businesses should always be created as a vector. Why? For maximum usage. It's all very well creating a great raster logo with lens flares and bevels and gradients but what happens when it needs to be on a huge banner in a hall? Or, at the other extreme, printed on headed notepaper. Raster effects just are not practical when it comes to corporate identities. With vector-based logos, the image will scale to any size and any application; raster graphics would require re-rendering each time a new size was required, not to mention problems with transparency across print and computer platforms.

Hussein Ali is a Graphic designer and web developer at Prowebb, a web design company located in Northridge, California. For more information about the company or the article you read above, visit us at

Monday, September 24, 2007

Productive Web Site Design - 8 Steps to Make More Money With Web Site Design

The design of your web site should be attention grabbing, interesting, and enticing. This is the first element that prospective visitors will see when they click on your URL. You don't want them to immediately leave your site because it appears boring. Make your visitors want to stay through effective web site designing. Here's how:

1. Make it compatible with all brands of computers. There are numerous brands of computers these days, make sure that your web designs are viewable to all of them. You don't want to limit your visitors to specific brands as it will limit your web site traffic.

2. Limit your graphics and images. Sure they attract visitors but too much of them will slow down your downloading time.

3. Make your web site interactive. Put forums, article submission page, comments page, etc. 4. Check all your links. Monitor your web site on a daily basis. Make sure that all your links are working and that they drive the customer to where they want to go.

5. Provide room for advertising. Your web site must have enough space that you can sell to other sites or advertising companies so you can generate revenue.

6. Utilize the best web designing technologies. Design your page using joomla, html, XML, etc.

7. Make it easy to download. Your site should be downloaded within few seconds or you'll lose your visitors.

8. Use up-to-date web site design software. They will give you the latest features to attract more visitors and survive the online competition.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

Do you want to learn how to build a massive list fast? Click here: Email List Building

Want to learn more about driving traffic like I do? Download my free traffic guide here: Traffic Generation

By: James Krawder

Quick Web Site Design - Advanced Tips for Make a Profit With Web Site Design

The number of web sites on the World Wide Web is continuously on a rise for last so many years. Almost All the big market share holders in any kind of business in the world have now their web presence. It has become really important for the success of a business. People have really gone global now. As a result the businesses are no more confined to political boundaries. The web sites are now very important tool for all the businesses. This in turn has given the web site designing a lot of importance. It is the art and the science of designing a web site which makes it user friendly and which ensures that the web site will get a lot of attention on the web.

Making money through web site designing is very much possible. Lots of people make money through web site designing. Not only the web designers earn through the ever increasing demand of web site designing, they can also earn through the uniqueness of their ideas. While designing a web site you need to know the exact requirements. A web site needed by a doctor will be definitely different than a web site which offers you sports guidance and training books. Keep this in mind while you design a web site. A web site pays well if it has proper places to put the ads and links of other web sites. It needs to be state of the art kind. Taking care of all these points will help you in making money through web site designing.

Do you want to learn more about how I do it? I have just completed my brand new guide to article marketing success, ‘Your Article Writing and Promotion Guide‘

Download it free here: Secrets of Article Promotion

Sean Mize is a full time internet marketer who has written over 1574 articles in print and 11 published ebooks.

By: Sean R Mize

Saturday, September 22, 2007

Best Web Site Design - 6 Key Ways to Get Started With Web Site Design

There is a lot of competition in the online world today. The number of websites is increasing at a very fast pace and now the World Wide Web is clustered with lots and lots of websites. It is becoming very difficult with each passing day to stand out of this crowd. The internet marketers have to pay close attention towards this point. If they do not promote their websites properly, they will not be in a position to make any money out of it. Along with the marketing efforts one makes for making his or web based business a success, the way your web site is designed is also important. If a web site is well designed it will help you in generating money. If not, you may not be able to face the competition in the online world of business.

If you want to design your web site properly, you must be careful about certain small points. Design your web site in a manner which gives you ample space to sell to other websites. You will get paid for renting out the space available on your website. Banner ads of other websites may also be placed on your own website. Rss feeds and pay per click advertising efforts may also help you in making money. All these factors can help you if the website is designed properly. Keep these factors in mind when you design your website. The web site should be up to date technically other wise it will not be able to survive the competition.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

By: James Krawder

Best Web Design Sites For Web 2.0 Design Ideas

If you were online many years ago, before the internet first became a household word, maybe you can remember how jumbled and chaotic all those early webpages were. Everybody wanted to put everything they possibly could on their sites. It was like a giant collage of content, and the net surfer didn't know where to aim the mouse first!

Now, we're in the era commonly known as "web 2.0." This is the age of eBay, blogs, social networking, wikis and instant messaging. The web has changed, and web design has changed along with it.

Web 2.0 design is the new and improved version of the internet. Gone are the endless, long scrolling screens, or the sites with tiny texts and bland colors. Web 2.0 design is simpler and bolder. As a webmaster, you should be hip to these changes to improve your internet marketing. To that end, here are a few of the best web design sites where you can hone up on web 2.0 design ideas.

Web Design From Scratch:

Web design is one of the more mystifying parts of starting your own website. Unless you are a "design person," you may not know much about what looks good or bad, and what works and doesn't work. This site is simple and straightforward, and has lots of easy explanations with screen shot examples.

The site is in a simple blog format. Along the left sidebar there are topics like "basics," "design process" and "site architecture." It not only discusses basic design principles (i.e. which designs work best), but that actual nuts and bolts of doing your own design in HTML or CSS. Everything is thoroughly covered, and the site walks you through each process step-by-step. The site also has a variety of tutorials that make it even easier.

Web Design From Scratch is a great general overview of the steps you need to take. It also shows you all the different options you have to choose from.

Photoshop Lab:

This site is colorful and easy to navigate. It has screenshots showing you exactly what to do, and simple tutorials that any idiot could use. With Photoshop Lab you can tackle some of the more complicated graphics programs that might now be intimidating.

The site has tips for using different programs, the latest news and reviews in the web design world, and a handy list of links to other sites with tutorials and tips. You can also search the site for specific information.

Photoshop Lab is a more topic-oriented site, so it's most useful when you're looking for some specific information about your design.

Template World:

Here's a site that you can really use. This site offers you templates that you can use for your sites. This takes some of the headache out of having to design your site pixel for pixel.

Along the sidebar they list different categories. If, for example, you have a pet-oriented website, you can click on the "animals" category, and it shows you the most popular templates.

Template World has a huge variety of great ready-made website designs, but there's one catch - it's not free. You have to become a member, and membership runs about $50 for a half-year. But, that's still cheaper than hiring a designer to make it for you.

We really shouldn't be complaining about how tough it is; designing a website has never been easier than it is today. You can do it all by yourself with any one of these handy Web 2.0 design websites - they're the best.

BONUS TIP: When you're ready for more ways to improve your website, tap into the massive collection of free and effective internet marketing strategies available right now at:

By: Ethan Allen

Friday, September 21, 2007

Pet Photography & Graphic Arts - A Guide on Pet Photography and Creating Great Artistic Pictures

1. Introduction:

If you have just picked up a camera for the first time, or have been taking pictures for years, the information contained in this guide will ensure that you do not overlook anything as you frame and shoot that picture. Taking your photographs to the next level, by using a few computer tools, and free clip art, we will walk you through the steps to create a picture like the one on the cover of this book as easy as 1-2-3.

At pet shows, and especially dog shows, enthusiasts like yourself pay close attention to every detail down to making sure that every hair is in place, the bows in the top knot are perfect, down to the shin on the glistening coats. The end quality of your picture is dependent upon your attention to details. Whenever we take a photograph for a client and create their unique art we do exactly the same. Starting with the right photograph is key and we will provide some often overlooked aspects of pet photography. Remember that you must start with the right photograph in order to obtain good and even great results.

2. Digital Photography Basics For Pets

There are two assumptions made here. The first is, that you are interested in color photography and the second is that you have read your camera owners manual and understand the features and capabilities at least at a basic level. With that said the intent of this guide is to help you get started with taking photographs and getting the best possible results. Before we continue, there is one thing often overlooked until it is too late that will ruin a great photograph. Shut off the date and time stamp feature. You can be sure that it will always take away from the picture or be in the wrong place where no amount of editing can account for it.

2.1. Picture Quality

The focus here is to start with the best of everything possible and use your camera to the fullest. This does not mean that you need to spend $2000 on a camera and special lenses, but it does mean taking advantage of the best capabilities your camera provides. Even a $100 camera can create good small prints. After you understand your cameras feature menu and how to navigate it, go back and re-read the picture quality section again. Once you understand that section set your camera to the BEST modes possible.

Many cameras have resolution settings similar to Normal, Better, Fine, and quality settings of Good, Better, Best. Select the Fine and Best modes or what ever your camera calls the highest quality and highest resolution modes. You can always reduce the resolution and quality later if needed, but you can never improve it. Starting off with the best quality photograph gives you the best possible chance of having a great photograph and piece of art. This becomes even more important when making larger prints or even posters. As you increase picture quality, your memory card will fill quicker and be able to store fewer images. Be sure that you have a large enough memory card or multiple cards. Remember, you do not want to run out of storage when your pet is doing something that will look great on that next Christmas card, so be sure to have that extra 512M or 1G card handy

2.6. Lens Filters and Shades

If you must take photographs in bright sun, such as at an outside farm and pet show, use a lens shade and force flash to overcome the harsh sun. One alternative to use especially if your flash is not powerful enough, is a polarizing filter instead of the flash. The polarizing filter is one of the most useful filters for outdoor photography and is a requirement for any serious photographer, especially for those that use a digital camera. A polarizing filter will reduce the glare and make colors stand out more in harsh sun conditions. These filters can significantly reduce white-outs or wash-outs (surfaces with the primary color all washed out) due to bright reflections. An example of this would be your golden lab having a whitish back, and dark murky looking legs lacking in detail. Some photograph flaws can be edited out and touched up, however, these flaws are nearly impossible to eliminate after the fact and make the editing look natural.

A second important tool to have in your camera bag is a lens shade. A lens shade is inexpensive and is attached on the end of your lens to keep excess light from directly entering the lens. It basically provides a tunnel that shields the optics (lens), and due to its black color absorbs any bouncing light. This helps the camera to better detect the light levels of the subject.

3. Express your Pets Personality Through Creative Art

People find many ways to express their personality, whether it is through sports, music, art, or another outlet. In any case, the creative nature that we have comes to the surface once we have the tools and have developed ability to accomplish this. One area that has continued to grow as a result of technological advancement is with computer enhanced graphics. Faster home computers coupled with programs such as Adobe Photoshop and Illustrator have taken the high end graphics work once limited to corporations to smaller businesses. The most basic photo manipulation is to correct flaws in the picture, which can be expanded to the more advanced creation of fantasy scenes, such as overlaying multiple images and the addition of special effects.

4. The Photo Shoot - The Tricks of Understanding Your Pet

Now that you have a general understanding of how to use your camera, lets focus on where, when, and how to get the optimum environment. There are some things in our control, and others that are not, and at any one time they can change. It is important that we discuss each element so you can decide what to do given your situation. These elements are lighting, the location, and the position of the pet. If you are restricted to a specific time of day outside, then you many not have any control over the lighting, or do you? If you are photographing the pet at a show such as walking around the judging stage, you are probably limited to the camera position and location. Ideally you want the best lighting, optimum flexibility with positioning the camera. Lastly if you are going to remove the background from the final print, the cleanest background for editing is desirable. This section will help you take advantage of any flexibility and optimize your shoot given the environment

4.1. Pick The Right Lighting

Given that we are focusing on color photography, proper lighting is essential. In fact proper lighting actually means LOTS OF LIGHT, and the correct type of light. Without proper lighting it is nearly impossible to have an award-winning photograph, even one that has been touched up with the best photo editing tools. When it comes to lighting you want to have an even distribution of light over the entire surface of the pet, including the underside areas. This light illuminates all areas, is not harsh or glaring and does not cause shadowing. Light that is at a low-angle such as parallel to 30 degrees above the ground, or when outside, sun rise or sun set is often the best. This low-angle light covers the side surfaces of the pets' body with light. Light that is high in the air, such as overhead lights, or when outside sun light that is high in the sky such as that mid-day harsh sun should be avoided. This harsh light results in the top surfaces being washed out, and the lower areas being dark with excessive shadowing. The ultimate goal is low angle, soft, evenly distributed light that illuminates the entire pet. Also remember when to keep the light source or the sun behind you and watch out for your own shadow!

4.5. Picking The Location

You need to determine if the photo session will be indoors or outdoors, and once that is decided you need to optimize the environment as much as possible to make the pet at ease. Before the pet is there, take a good look all around and make sure that the area is clean, organized, and there are minimal distractions. Distractions can be toys, a left over newspaper lying around, and even a tree branch. You will be in competition with all of these distractions for the pets' attention. Unless you have a sleeping dog you are photographing, you will always be in competition with the environment. Now the dog may be well trained and stay where you put them, but their attention may still be elsewhere. You also want to remove any items that could complicate the photo editing later on.

The intent for many of the photographs used in fantasy scenes is to remove the background and have the pet stand alone. It is important that nothing sticks up in front of any part of the pet that can cause an obstruction. Unless your final print will be of your pet in a grassy field, do not take your pictures of your dog laying on a lawn or grassy field. The blades of grass will hide the bottom of the paws or any part of the dog that is in close to the round

4.9. What Photographs Should You Take - Getting inside your pets head

It is recommended to initially start by letting your pet act naturally in the environment and study how it acts and responds to whatever stimulus is there. This will allow you the opportunity to get inside of your pets head and over time possibly predict how they will act. Remember that many pets will see the camera equipment around and sense the extra attention making them want to get even more attention. Over time they will forget that you are there and start to focus on the elements in the environment, including even laying down on that special pillow. The idea is to have your pet at ease and capture that natural moment. This will require you to be patient and continue to snap the shutter hoping to capture that special moment. Even in as little as 10 minutes you will understand the pets' personality and be able to now stage that specific photo.

5. Basic Adobe Photoshop and Illustrator Introduction

For most photography work and picture manipulation you will be using Adobe Photoshop or other similar photo editing tool. If you will be creating large prints greater than 11x17 with text, you should use an illustration tool that provides good text and layout capabilities such as Adobe Illustrator. With these two types of tools you can create fantastic and artistic pictures, and then include them in professional looking layouts. The intent of this section is to provide some starting guidelines to create some of the basic pictures that are displayed on Keep in mind that the guidelines and steps provided here have been generalized, however, they will point you in the right direction to create a great picture. The references in this section are referring to Photoshop, so if you are using a different photo editing tool, you will need to find the equivalent features.

Note that to better demonstrate the techniques, the photographs used are not the best and did not follow all of the rules in the previous sections. For example, there are poor lighting and lack of detail to emphasize the use of the tools and techniques.

So to get started, take what you have learned here, get out that camera and have fun.

The selections of text are excerpts from the Ebook titled Pet Photography and Graphic Arts by Anthony Palmieri at

Anthony Palmieri founded Palmieri Concepts after 20 years of creating custom artwork for his own pleasure and enjoyment. This business grew out of a love for motor vehicles and was started to share with others what began as a hobby. After taking his own pride and joys (yes this really started with family pictures and not cars) and combining them with creativity, it became obvious that many others would like to showcase their loves as he has done.

In addition to the custom artwork, he has also written numerous articles on automotive art and car shows covering topics from custom show boards, to automotive theme garages. Links to some of these articles can be found on web page. His goal was to create a business where each and every one of his works of art are custom done just for you with the intention that it would be something that he would display on his own walls. Many of the custom pictures that he has created can be seen displayed at his house.

By: Anthony Palmieri

Lucrative Web Design Business – How to Create a Strong Web Design Business

Lucrative Web Design Business – How to Create a Strong Web Design Business

How to get good at a lucrative web design business – it will require some hard work and testing, but it can certainly be done, even if you are just starting out. A lucrative web design business is one great way to explode your internet business. Also, a lucrative web design business is a great way to maximize your online business revenues.

So how do you use a lucrative web design business to explode your internet business and to maximize your online business revenues?

I have developed some incredible new innovations to help you to explode your internet business with a lucrative web design business.

Try these powerful new ways to help you to explode your internet business with a lucrative web design business:

- to explode your internet business with a lucrative web design business, first begin by building a list to which you can mail regularly. One of the most important things about growing any business online, especially a web design business, is creating a list of subscribers to whom you can promote your business regularly.

- to explode your internet business with a lucrative web design business, send quality traffic to your web design business by writing and submitting articles to the major article directories online. They will promote your articles for you, and you can simply write and watch the quality traffic come in.

- to explode your internet business with a lucrative web design business, use the web design business as an entry point for people into your business. Be willing to expand past just web design, and meet other needs of your customers.

- to explode your internet business with a lucrative web design business, look for additional revenue opportunities and convert one time web design customers into long term customers by offering backend, related products.

Do you want to learn more about how I do it? I have just completed my brand new guide to article marketing success, ‘Your Article Writing and Promotion Guide‘

Download it free here: Secrets of Article Promotion

Do you want to learn how to build a massive list fast? Click here: Email List Building

Sean Mize is a full time internet marketer who has written over 500 articles in print and 9 published ebooks.

Thursday, September 20, 2007

Web Design Myths - Myths About Web Design Beginners Should Be Aware Of

Web Design Myths – Myths About Web Design Beginners Should Be Aware Of

When you first get started online, one of the hardest things to do is to get your web site going. You probably don’t know any fancy web programming, and you probably think that you need it.

You have looked at some site builders and html editors and you think that they look cheesy. But the funny thing is, they look better than a lot of the Adsense sites I see out there.

When I got started online, I started with Frontpage. It is pretty easy to use, and is WYSIWYG, like a Word program. I mean, you gotta learn some stuff. But the online Microsoft tutorials are pretty cool.

Another way to go is to use a site builder. Most of them these days look pretty professional, and they are literally point and click.

So, what are the myths?

1) You have to know web programming to have a good looking site. That could not be farther from the truth. The bottom line is, you are more concerned with whether it sells, not how it looks anyway. And sales is based more on content – don’t get me wrong, it can’t look like kindergarten, but it doesn’t have to be hot-shot professional, either.

2) Learning how to do stuff like autoresponders and putting that code in your web page is hard. It is truly easy – you just use the directions that come with your autoresponder.

3) You cannot design your own web site. That is far behind the truth. If you are willing to work a little, watch a few special videos, and do things one step at a time, you can have a good-looking website in no time flat.

Do you want to learn more about how I do it? I have just completed my brand new guide to article marketing success, ‘Your Article Writing and Promotion Guide‘

Download it free here: Secrets of Article Promotion

Do you want to learn how to build a massive list fast? Click here: Email List Building

Sean Mize is a full time internet marketer who has written over 500 articles in print and 9 published ebooks.

By: Sean Mize

Wednesday, September 19, 2007

Web Site Design - How to Create More Money in Web Site Design

Website design is very important. The number of websites on the World Wide Web has increased a lot in the recent years. Now there are millions of websites on the internet. In this situation the competition amongst the websites has become very close. Now the website owners have to pay all due attention towards the design of their website. Some of the web site designs are user friendly and they are suitable according to the type of business a website is in. Other designs may not be a very good choice in this regard. Keeping these things in mind, web site design becomes very important for people.

You can make a lot of money through proper web site design. A web site can help you in generating lots of money through your business. The website needs proper promotion. You need to invest your time and money into your website. Once your website becomes a visitor’s favorite, then you can make lots of money through a properly designed website. If your web site is so built that the links of other websites can be placed on it at prominent places, you have a chance of making lots of money through it. You can place the banner ads of other websites on your web site to help them promote their web site. You can charge them for this support. Once you have promoted your own web site and you start getting an appreciable number of visitors per day on your web site, you can use your web site as a resource to generate more money. The design of the web site will assist you in this regard.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

By:James Krawder

Tuesday, September 18, 2007

Website Design Key Aspects - Design a Better Website

The internet is huge. Google alone list over 3 billion pages, looking at one each second of the day would take you over 99 years to view them all!

Many people can do website design, but how many can actually design a website. The design element is so important and so often overlooked.

If you intended to send out brochures to your customers, or potential customers, and the brochure was poor quality what type of image will this reflect on your business.......a poor website will do exactly the same.

When designing a website the most important task to remember is colour co-ordination. Ideally you should strive for a maximum of three main colours, with variations and tints of these. By using more you run the risk of non-matching colours and ultimately less easy on the eye for visitors.

Next comes navigation. Colour co-ordination and Navigation are the top main priorities. If your site isn't easy to navigate, people will not stay around to delve deeper. Once you site is designed ask some friends or family to test it out. The easier your website is to navigate, the longer people will stay.

Accessibility is a key issue that has been highlighted recently with a AUD$20,000 fine imposed on an Australian website for not ensuring people with disabilities and sight impairments could use the website. These rulings are few and far between (for now) but to help always use ALT tags on images (helping to describe your image), plus use text based links where possible. You have your site ready, it's full of content, great design and ready to hit the super highway - now how will people find you. This is where SEO comes in to play (Search Engine Optimisation). Optimising your site for the main search engines can help bring free targeted traffic to your website. The main and basic rules of SEO are:

1. A good Title tag, e.g for C2 Web Design being a website design company based in Essex, UK and covering Colchester our Title tag is 'Website Design Essex | Website Design Colchester'. Using your main keywords for your title tag can instantly bring good results.

2. Make sure your keywords appear within your website. The % of times it appears has started to have less an impact, but the general rule is your keywords should make up around 5% of your copy.

3. Request Linkbacks. Make requests for other sites to link to you from the day you website is activated. Search Engines, particuarly Google, base a large porpotion of their listings based on the number of websites linking to you - plus their popularity and themed relationship to the content of your site.

4. Be patient. It can quiet easily take a year or so to achieve a good placement in Google for a popular phrase - but considerably less time in other search engines e.g. MSN and Ask Jeeves.

By sticking to these basic principles and ensuring your site is pleasent on the eye, easy to navigate, and optimised for search engine visits you should be able to claim your stake in the World Wide Web.

Dean Cosson is website design manager at C2 Web Design (

By: Brad Miles

Monday, September 17, 2007

Wedding Web Site Design - How to Design a Wedding Site That Others Will Rave About

If you are in the process of design a wedding web site, you want to put some serious thought into the design of your site before actually building it. The reason you need a plan is so that you know where you are going and how to get there, the plan is a roadmap of sort for the success of your wedding web site. There are a variety of things you need to keep in mind when designing a wedding web site your friends, family, and visitors will rave about, so consider the following suggestions before you get going.

Tip #1 - Plan

You should first make a plan for your wedding website and address your different goals and what kind of audience you are trying to reach. Will this be a typical wedding site, one designed for outdoor weddings only, different faith marriages, will you include rings, dresses, invitations, and other information? Will you simply write stories about weddings? You must come up with a cumulative plan, one you can certainly modify as you go along. The more detailed and in depth your plan, the better. You need to have a vision of your site before you start building and designing it and a plan is the starting point.

Tip #2 - Evaluate

You should do some serious research on the Internet and check out as many wedding sites as possible. Make a checklist to go over while you are viewing each website that includes things like organization, colors, topics and themes, not to mention ease of navigation, URL formatting, speed, links, and other interesting information. By reviewing what works and what doesn’t work on other wedding websites, you will be able to avoid a lot of mistakes and mishaps of your own. Surfing the web is fast and easy and the perfect way to get some great design ideas as well as design inspiration. This part of your research will prove very successful for you.

Tip #3 - Focus

Your wedding website should have a clear focus starting with the very first page. Of course, you can focus on any specific part of a wedding, every aspect, a mixture of aspects, or anything you want. Make sure your focus is clearly stated on the first page so visitors know what is available on your site, where to go, and what to expect. You don’t want to make visitors have to guess or try and figure out what your site is about. Make it easy for your visitors and tell them. When people know what to expect, they are more likely to stay on your site instead of clicking away.

By following these suggestions you will be able to design an amazing wedding site that not only your friends and family rave about, but that web surfers love as well.

Michael Turner reveals his foolproof way to increase website traffic in his free 7 part mini-series. Grab it free right now at at

By: Michael Turner

Sunday, September 16, 2007

Profitable Web Site Design - Advanced Ways to Make More Money With Web Site Design

Web site design is just growing bigger and more profitable by the second with the booming number of websites that are mushrooming on the web every single day; the web is growing larger and can accommodate everyone. Using your website to attract other opportunities is the crux of profitable web site design.

1. If you are a good graphics designer or know how to make website templates you can indeed make a profit selling graphics and templates. If you are interested in learning to create your own graphics and templates you can learn good graphic creation software like Photoshop for example.

2. You can also participate in affiliate programs. There are many sites who will give you a percentage of their profits if your site points to theirs and that helps them make a sale.

3. You can also design entire sites for people, including the graphics. For that all your need to know is basic HTML and if you wish to pursue this on a professional level you can also learn the workings of popular shopping cart software for people who have small businesses and need a good site designer.

4. If you have good, quality content on your website you can restrict access to a certain part of your site for which you can charge a membership fee. This is of course only after you have enjoyed a certain amount of success with your content that you can expect people to pay for your content.

5. You can also offer a pay-per-use service. Renting a service is equally popular as is selling one and you can have customers coming back or recommending others.

Want to learn more about it? Download the free ebook, Steps to Article Marketing Success.

Do you want to learn how to build a massive list fast? Click here: Email List Building

Want to learn more about driving traffic like I do? Download my free traffic guide here: Traffic Generation

By: James Krawder

Saturday, September 15, 2007

Signtronix Style Design - Top 10 Sign Design Tips

I am amazed every day I drive down the street and look at the same outdoor advertising graphic design mistakes repeated over and over. Business owners trying to make a living with a street-side presence that barley commands attention.

There are two scenarios that I see on a regular basis.

* A potential customer walks into a custom sign shop and indicates their budget. The sign shop owner is weak, afraid of losing a potential sale, so he delivers a sign product designed to fit the proposed cost. With some simple education style selling the sign shop could have sold a product that would have made more money, for his shop, and the customer.

* Another customer walks into the sign shop with a layout, or design concept that stinks. Again, fear of losing the customer causes the sign manufacturer to deliver the useless sign. Money down the drain.

Here are some key design elements that I have learned over 15 years in the outdoor advertising industry.

1. Remember that potential customers of all backgrounds and ages are looking at your business from a moving vehicle, in traffic, day and night. They must be able to see and read your outdoor advertising easily. Don't attempt to sell them with information on the sign - save that information until they are in your business.

2. The correct design and layout of your sign is critical to its effectiveness. Crowding the sign with too much text makes it impossible to read from a car, or at a distance. Therefore, the fewer words the better. Use the age-old adage - K.I.S.S. method - Keep It Simple, Son.

3. Understand the concept of “First Read.” There should be a focal point located on the sign that will have impact and command attention. Ideally, the first read should incorporate Branding elements like a large graphic, or your company logo.

4. Your sign is your “first impression” with the mobile market, and first impressions are lasting impressions. Your outdoor advertising must project the positive image you want the public to have of your business. Potential customers will judge the inside of your business by how it looks on the outside.

5. Many owners mistakenly think of a sign as merely a device that identifies the business. What they fail to realize is that over half of all new retail sales are a result of impulse buys. People see, shop and buy. If your outdoor advertising is ineffective, it will cost much more in lost sales then the entire cost of a good sign.

6. Your outdoor advertising must have visual impact. It must make your products or services, and your location, easy to remember.

7. Make sure the colors are used in contrasting patterns. Green on blue is not readable, whereas black on white is extremely visible.

8. If you have several colors in a graphic, stay away from multi-colored lines of text or words (they will compete with the colors in your graphic). Black text is better.

9. Ideally, the design and the colors of your location or building should reinforce the design and colors of your sign (or vice versa). Color is probably the easiest and most cost-effective device for this coordination of design for business identification.

10. "White-space". This is the surface area of a sign's face that is left uncovered by either text or graphics. The proper amount of white-space is just as important for quick readability as are graphics, text and colors. In fact, 30% to 40% of the sign's face area should be left as white-space for optimal readability.

© 2007 RightNow Communications

SIGNTRONIX Corporate Office
1445 W. Sepulveda Boulevard
Torrance, CA 90509-2901
(800) 729-4853

Signtronix Signs Video

Signtronix - Authorized Dealer

By: David Evarts

On Copyrights - The Creative Experience and Graphic Designers

There he is - the young art student - in the corner, sporting a slouch, worn blue jeans and a faded ironic t-shirt, standing in front of the canvases he submitted for this month’s class show; large, blue, sci-fi landscapes, which, from a distance, are beautiful. They look like heavenly, undulating space-scapes of sky and stars.

But move five steps closer, and the illusion fades. He is in the corner, yes, but the slouch is affected — he’d be more comfortable standing straight. His worn blue jeans? Brand new, but distressed. His ironic t-shirt? That once most noble badge of indie creed? It’s been on sale at the Urban Outfitters down the street for a month. And the paintings – the paintings! Up-close, they show themselves as crude copies of those prints featured in the discounted Salvador Dali calendars sold at Barnes and Noble: forced line, muddy colors, uninteresting ideas.

What’s offensive is not the young student’s pose, for at least he is trying to do something with his image. And the paintings, while bad, are not so bad that his art school scholarship would be threatened. No, what’s most worrisome is that he doesn’t know he’s posing, doesn’t know that the elements he’s so carefully cultivated as “his own,” are not. He’s exuding “originality” in the most culturally acceptable way, possibly the only way he knows: he buys it.

Those shelves of products that our young hero peruses in his off-time– all copyrighted, patented, or otherwise “pre-approved” for consumption - give him the feeling that he has freedom of choice, while, in fact, his freedoms are limited. “Have a problem? Use this face cream. Buy a car. Wear these blue jeans.”

These are his only options. We should feel pity for him – after all, he’s lived in Pasadena his whole life, he doesn’t know. This is what he thinks is edgy. Because he has taste, he makes do with what he has. But because he is young, he is a bit too proud. More seasoned personalities whisper to each other: His shirt, the off-white one? With the cartoon of a red-bearded lad, holding close his seven bottles of bear, stating, “Irish 7-Course Meal?” Done. His blue jeans? 700 dollars, faded in all the right places, do not connote the roughshod life. Oh no, they scream, “Mom buys my clothes!” And the Art. Oh God, the Art.

What can save our young hero, apart from extended sit-down sessions with Roland Barthes or concentrated perusals of Frederick Jamison (both of which are, for the most part, impossible to comprehend at such an age)? What can pull away the cowl of ignorance, freeing the young artist from that most hated of appropriations – derivative? Ready? Here comes the answer – and it’s not drugs, religious experiences, or world travel. The answer is that he must study and learn the copyright laws of United States.

And in order to learn the copyright laws of the United States, he must first know what a copyright is. Here are the simple definitions, according to

# noun: a document granting exclusive right to publish and sell literary or musical or artistic work
# verb: secure a copyright on a written work

Why is a knowledge of the legal precedence of copyright important to a young artist? Because in order to create, a good artist should know as much as possible about his tools. This means not just the origins of his fine bristle brush, or the interesting history of the chemistry of his pigments, but to examine the social and political tools that will allow him to function as an artist in the United States in 2007.

Thus, while copyright law is not as glamourous as brushes or paint, it is nonetheless as important. For within copyright law lies the secret of what to do after. And what do American’s do after they’re done? They sell. They horde. And, in turn, they covet, they hide... While squirreling away money is a good idea, hiding creative output is not. Keeping the creative hidden leads to problems such as our hero’s - too much confidence in too much little. Our hero’s problems stem from this ignorance - for, despite his fancy education, he is creatively ignorant - too many things have been kept from his eyes.

But wait! you say. Surely it is his responsibility to educate himself! There are libraries, public exhibitions, and teachers.

Of course, these are necessary elements in any person’s education. But our hero cannot personally own a library book, an outdoor concerts, or the mind of a great teacher, and the relative unavailability of ownership of fine works of art encourages a lazy attitude towards authenticity. Within copyright law, too, lies a history of the role of the Artist within American Society, a role our hero has wanted to play, desperately, for many years. Is it not also his responsibility to know his legal rights? Sadly, our hero does not know about the Berne Convention, held in Switzerland, in 1886. Led by that most diligent, most empathetic of writers, Victor Hugo. He does not know of Hugo’s obsession with la droit d’auteur. He does not know most of his European and Asian contemporaries not only consider intellectual property more important than money, but that the status of the artist is more socially powerful than that of entrepreneur. He does not know that Europe and Asia have historically made political concessions to facilitate their artists’ creativity. Or that the United States didn’t join the Berne Convention until nearly one hundred years after its inception – on March 1, 1989.

Here is something else he doesn’t know: copyright laws in the United States, had, until 1989, been focused on keeping intellectual property private in order to facilitate economic growth. In other words, in the US, copyright law has historically been a monetary issue, not a creative one…Thus the shelves of products posing as freedom as choice.

And here is something else: thanks to the acceptance of the Berne Convention, which decrees that work belongs to its creator as soon as it’s created, without having to fill out government forms, the tide is turning.

And finally, another fact: the most notable example of progressive copyright translation in the United States is the group called Creative Commons. Creative Commons gives artists the information and encouragement needed to not squirrel their work away, in fear that someone might steal their ideas, but rather, to share and remix their work with the work of others.

And now, for a theoretical leap: This is a necessary step on the incline from being derivative to being truly POSTMODERN. (Ugh, but why postmodern? Isn’t that old hat? AU CONTRAIRE).

The hallmark of postmodernism is the desire to combine. And we are at a point in cultural history where the only thing left to do is combine. Not that there’s anything wrong with that. Marcel Proust, that most beloved of all neurotic writers, stated as a child that he did could not name a single color as his favorite, but rather, he found the most pleasure in their combinations. And all postmodern art is a hybrid – a little of this, a little of that – which in turn encourages the creation of the global ego – an ego much less offensive than the ego present in our young hero at the start of this article.

Some say the start of the Enlightenment was thanks to the creation of factory-produced mirrors, which allowed even the most plebeian life form to see themselves as individuals. But today, we don’t look to the mirror for accurate reflections. Instead, we gaze into the computer monitor. Our thoughts, words, and images, regardless of original source, create a collective brain, one that can be harnessed most powerfully through an artist’s understanding of copyright. And even science is beginning to consider human beings in a similar way - the millions of individuals that populate the Earth are really a single, throbbing organism, a human membrane, if you will, that covers our planet, hovering, blue and bulbous, like a helium balloon bobbing about in the milky way.

Which takes us back to our hero’s work. Remember? Those great blue swathes of sky and stars that looked so good from a distance? Does he know about Turner? And if he did, would not his unpleasant ego dissolve, leaving him – his ideas and his work – behind to do the talking. And would not his art - our art - be improved?

Lainie Liberti - Creative Director + Principal
Your business, growth and sustainability depend on your brand reaching and inspiring your audience.

How well are you succeeding? Check the bottom line. The key to success is making “Authentic Connections” with your audience through memorable design and a relevant message. jungle 8 is passionate about creating authentic connections for you.

memorable designs + connective meanings = measurable results

By: Lainie Liberti

Friday, September 14, 2007

Web Design Know-How: Simple, Effective Methods of Choosing Colors in Web Design

It's well known that certain color combinations harmonise while other are considered unattractive and clash. Although it is well established that there is more to this than subjective choice the underlying rules are extremely complex and seldom formulated explicitly. Looking at thousands of natural scenes taken worldwide with highly complex spectroscopic apparatus scientists from Cambridge University determined that natural scenes have a highly complex (and mathematically precise) harmony and balance which requires complex multidimensional transformations from our normal methods of color representation to predict. It's an art that skilled designers learn to reproduce over many years - and the basis of a lot of great art and fashion.

In web design it's relevant because the clients great the fear is that someone with the taste and dress sense of Dilbert will end up by choosing the aesthetics and harmony of how your company presents its self to the world.

It turns out however that there is a very simple practical way of choosing color sets that obey exactly the right rules. All you have to do is to take a naturally harmonious scene and use your color dropper to pick out any colors in that scene for use as the basic colors on you web page and fonts. These will already have exactly the right color relationships. To give a web site a closely integrated look pick the colours from the actual images used on the home page. To get a radical, arty look pick colors from a great art masterpiece in the same way.

It's simple, its effective and it has - we are told - ten million years of human evolution behind it - for that how long we have had our modern color vision and that's the heritage you are fighting against if you don't get it right.

National Web Design. Internet application design since 1991, Web Design since 1994, eCommerce developers and payment system experts since 1997

By: Will Gibson

Web Design Prices and Costs - How to Get A Fair Web Design Quote

If you’re looking at commissioning a web designer to build you a website, one of the first things that you will need to know, is the monetary cost. This article will explain to you why there is such a huge variance between web designers and their quotes and will give you some advice as to how much you can expect to pay to contract a competent web designer in the UK.

First of all you have to have a rough idea of what it is that you want from your website. You have to have thought of what you want to achieve with the website. What are its objectives? You will then need to have thought of a basic structure for your website. There are many website examples out there for you to have a look at; the important thing is to have an idea about what structure you want for the site - meaning a rough outline of the numbers of pages and the content (text and images) that will make up each page.

Once you have your project objectives in mind and a rough idea of your websites structure you are in a position to start contacting suppliers. There are multitudes of web design companies everywhere and in our particular area of the UK - Doncaster there are lots of web design companies to choose from. The key thing to remember is that everyone wants your business. The web design marketplace is completely saturated so you as the buyer have the upper hand!

As in all other industries there are people who provide excellent service, there are people who provide an average service and there are also cowboys (people who sell web design services without the necessary knowledge and experience to do so).

What you have to think to yourself is this: If a person promises me the earth for £1 does that mean to say that they can deliver it? The best advice I can give is to be realistic. There are lots of really good city based web design companies throughout the UK that provide excellent services. They are always there to take your calls and you even get your own personal account manager to handle your requests and hold your hand through the entire web design process. The services of such companies are wonderful but this obviously comes at a price. City based offices, account managers and admin staff are large overheads and the prices charged by large city based web design companies reflect this. If you have a modestly sized website, which needs to be under content management system control, don't be surprised if the web design quote runs into tens of thousands of pounds from a major city based web design company. If you are looking for a top quality 100% inclusive, comprehensive service and your company can afford this kind of bill then I would suggest using a big city company every time.

Then there are the smaller companies that are made up of just a few individuals. These types of companies have much lower overheads and frequently have very knowledgeable and capable staff. The service level can be much lower than that of major city based web design companies but you can get some excellent work done by such companies at a fraction of cost of the large city based companies.

A much overlooked group of web designers that can produce some excellent web designs are the wide community of freelance web designers. Freelance web designers are private, self employed individuals who work from small offices (they frequently work from home). Freelancers have very low (mostly non existent) overheads. As such they can provide quality web design work for much lower costs than larger web design companies. If you are looking for good quality web design for less money then it definitely work looking at using a quality freelance web designer.

The people that you really need to avoid are the web design cowboys. As stated above cowboys are people who sell web design services without the necessary knowledge and experience to do so. If you are unfortunate enough to have contracted someone like this in the past you will be aware of the low quality work that they produce and the lack of significant results that they achieve. Cowboys invariable promise you the earth for a £1. Use your common sense and if someone is quoting you £100 for something that 5 other companies are charging around £4000 for, you know that something is not quite right. Remember the old adage - buy cheap, buy twice!


You will find a great deal of variance between web design quotes depending on what level of web designer you choose to contract and what level of service you require. Always make sure to get as many quotes and talk to as many people as you can so a) see what’s available on the market and b) get an unbiased idea of the likely costs involved. There are lots of good web designers out there but there are also a lot of lesser skilled web designers and even some of the proverbial cowboys. Make sure to use good common sense and get a feel for the web designer’s skills and experience when you meet them. No matter how charming a person is, experience is very hard to fake. Ask to see examples of their work and where they have done similar work to your proposed project. Remember - you have the upper hand!

Stuart is a freelance website designer in Doncaster UK who specialises in search engine friendly web design doncaster for companies of all types.

By: Stuart Mortimer

Thursday, September 13, 2007

Fireplace Design - How An Energy Efficient Fireplace Design Can Save You Big Money

Whether you are ready to add a fireplace to your home - you are looking to upgrade your current firebox, coming up with fireplace design ideas is an important first step. But what should you look for in fireplace design and what is involved? Here are some ideas to give you some help.

With the rising costs of all types of energy, more and more people are looking at adding fireplaces to help heat their homes. Having a fireplace design that is energy efficient only makes sense. Not only will it help in better heating your home, but it will also lower those high heating bills.

The problem with your typical wood burning fireplace is that most of the heat is going up the chimney instead of in your home. The reason for this is that the fireplace is drawing in the surrounding air and then sending it straight up the chimney.

Any type of energy efficient fireplace designs should include an air intake that will draw in air from the outside and combine it with a blower that will force the heated air out into the room.

Another important area is the addition of a fireplace insert. It will also dramatically affect the efficiency of any fireplace design.

The fireplace insert can also have an outside air intake built into its design. The insert will hold in the heat and allow the blower to send it out into the room instead of losing most of it out the chimney.

What is the most energy efficient fireplace design? That would be a wood burning stove. A wood burning stove sits out away from the wall and doesn't lose much heat through the chimney. It also supplies heat from all around itself.

So, if you are going to add on a new fireplace in your home, take the time to make an energy efficient fireplace design. It will help keep you warm without breaking the bank.

All Rights Reserved Worldwide. Reprint Rights: You may reprint this article as long as you leave all of the links active and do not edit the article in any way.

By the way, you can learn more about Fireplace Design as well as much more information on all types of fireplace designs at

By: Terry Edwards

The Cell - A Revolution In 3d Rendering And Graphic Applications

The Cell Broadband Engine is a distributed computer processor capable of running instructions at upwards of 200 gigaflops or 200 trillion instructions per second. Although these would be fairly simple instructions, the speed of the Cell means it can process very complex information faster because it would break it down, process elements, then reassemble the finished product faster than a normal processor.

One possible future for the Cell is in the avenue of a render farm for 3d and computer animated films and television shows.

Here's how it would possibly work:

* Get 6 PS3's
* link them together with a 8 port high-speed ethernet switch capable of running 1000 base-t or gigabit ethernet speed. Connect a Linux computer to the 7th port.
* 8th port of the switch goes to high-speed internet.
* Load a software application on the linux pc that can coordinate a distributed computing environment
* Load a node application onto each PS3's linux kernel so they can run code sent from the central computer.

Then all that is needed is to run the program to begin the render engine. Load it with the frameset and let it pass the data onto the PS3 network so the Cell processors can go to work. The Cell is designed for graphical rendering and scaled linear data computing, which makes it nearly perfect for graphic processes of the type that a render farm would be best suited for.

A current project that would work for the Cell is BURP (Big and Ugly Render Project) as it is designed for both distributed computing and will run on the Linux kernel. By setting graphic files in a format able to be read by the Blender graphic program, they could be sent through BURP and processed by a dedicated PS3 network, and the resulting finished frames sent back to the central machine for assembly into a finished Computer Generated Animation.

The possibilities for the Cell are endless, but this is one that we expect to see within the next 12-18 months. I would be very surprised if this does not happen.

Tim Morrison is a founding member of, a technology company developed to bridge the gap between virtual and real worlds in the realm of 3d. Our goal is to be able to produce a 3d image on the computer and then produce it as a physical object - no matter what the complexity or detail involved. In this vein, we keep track of anything in relation to 3D imagery that can bring our goals closer, be it gaming consoles that can do more than play games, hardware imaging solutions, or software that can make our lives easier. Real World 3D is coming, Morristreet is in the lead!

By: Tim Morrison

Wednesday, September 12, 2007

Using Spectrum Graphic Analyzer to Help Those In Need

Color blindness is something that can happen at a young age or later on develops as the person ages. Someone who has this deficiency will not be able to distinguish one color from another or may not be able to see an image clearly on a background.

This could be genetic or is caused by an injury in the optic nerve or retina. The person may not be able to distinguish between red and green in the beginning or blue from yellow and studies have shown that this can get worse over time.

However, there are more patients who get this deficiency because of heredity and it happens more often to men than women. Some people may be partial meaning, the individual will not be able to discern some colors while this could be complete for others but such cases are very rare.

The part of the eye that allows people to distinguish one color from the other is the photoreceptor. Those who don’t have problems identifying the pigments are known as trichromats while those that do are called anomalous trichromats.

Color blindness also affects how someone sees a graphic image. A normal person may see a number in the background while those who have this problem don’t. The sad part is that there is still no treatment or cure for this deficiency.

Since many only suffer from mild symptoms of this problem, scientists have come up with a way to make this work. This is done by using a spectrum graphic analyzer that can aid the person in seeing things better.

The first thing this machine will do is transform more than 16 million colors into a smaller figure to about 256. This is also used in graphic pictures on television and any other object that the person sees.

Then, the individual will have to learn the colors and in time get to see an object more or less the way someone with normal vision can.

This device is the first step of many that will be taken to help those who are suffering from color blindness. Hopefully a surgical procedure can be developed just like how doctors are able to help patients with cataracts see again.

Spectrum graphic analyzers are not only used to help patients who are color blind. This is also used to record video and audio. The individual can download this into the computer and then review the recorded footage.

Low Jeremy maintains This content is provided by Low Jeremy. It may be used only in its entirety with all links included.

By: Low Jeremy

Great Business Card Design Starts With You - 7 Design Ideas

Whatever you put your mind into, you can ably perform and achieve. If you've set yourself to have the business card design you have in mind, then anything is possible.

Business card design begins with a concept you have in mind and what you desire to achieve with it. It may not be a completely thought out business card design, but having an idea on what feel you want to create is a great start.

A business card design does not simply spur out the moment you say “I want to design a business card.” Imagination, it seems doesn’t always work that way.

To help you start out in your business card design, here are some a few ideas you can use. Put your thinking hat on and set sail your imagination.

1. Select an object that would embody who you are or what your occupation is all about. It’s not a contest about stating the obvious, so you don’t always to show off your buff body on the business card to indicate that you are a fitness trainer.

You can always use other objects that would ably hint your clients. Choose objects that would allow them to easily make associations. An example would be an image of a bride and groom cake topper if you are a wedding planner and the like.

2. Your latest work can say plenty about the things you can achieve. The business card is a place where you can impress clients with your credentials. And no, it’s not just about having a title to your name like a doctor, lawyer or engineer.

If you’re a horse breeder, why not use your prize winning horse as the main image of your business card. You can even advertise your achievements on your business card. “2007 Horse Breeder of the Year” and the like.

3. Certain industries have a certain lifestyle, mood or atmosphere that they imbibe. Take advantage of these and use it to influence your choice of colors. Spa and wellness centers use calming colors of light greens, blues and pinks to recreate the same effect.

4. It would also do well to use recognized images that automatically indicate your industry. Images of plants and flowers can automatically point out that you are a florist, landscape artist or horticulturist.

5. If you are most recognized for a specific product or creation, then use it. More or less, it’ll give you the leverage you need to better source out people who will be interested in your goods. You are not only creating an effective design, but one that sells as well.

6. Browsing the world wide web for business card designs to imitate can be tiring and straining on the eyes. Use your surroundings as your inspiration. All the print materials that you see can influence you in choosing a particular font, style, and even color combination.

7. When all else fails, you can design your business cards using an online design tool. These design tools have templates that are tailored fit to a particular industry or category. You can use these templates and edit them to make them uniquely yours.

You can upload your own photos and images to add to the business card template. And with the online design tool, you can select the font you want, its color and size. Added to this, you can layout the text however you like.

Business card design can be a truly challenging experience but a fun one at that. What makes it all the more fun is the convenience provided by a professional printing company who provides you with all the things you need. A business card online design tool, fast turnaround time, cost-effective rates, quality prints and unquestionable service are an unbeatable package you shouldn’t miss out.

Rise up to the challenge and make your own business card design. Afterwards, pat yourself on the back for trusting only a professional printing company who will oversee all your hard work.

Business Cards Design tips can be found at U Printing: Business Cards Printing Services

By: Jenny Abejuela

Tuesday, September 11, 2007

Hiring a Graphic Designer? Here are 10 Quick Things You'll Want to Consider

1. Their guarantee. Only work with designers that stand 100% behind their work.

This is an easy way to identify if the designer is an expert and a reputable

artist - ask how he/she stands behind the work and service.

2. Their current portfolio - Does their portfolio have the quality of work that

you want and expect?

3. Past testimonials - What have past clients said about them?

4. Their willingness to educate you and your staff - Will the designer take

the time to work with you and your staff, and provide top-notch support and


5. The value-added services they can offer (we offer content editing, custom

and stock photography, video services, photo editing, as well as assistance

in marketing/advertising) - If you might need these additional services you

may have to pay extra for them if the designer can't offer them to you.

6. Their ability and willingness to research your business, your objectives

and your prospects - Without thoroughly knowing you and your business a designer

is not going to be able to design projects that will generate revenue and results.

7. Their background in business, marketing or advertising - if your goal is

to bring in revenue from your investment, it's crucial that the image firm has

a foundation in business marketing and advertising. This one is critical! If

your goal is to bring in revenue and results, you'll need a designer that firmly

understands your market and how best to reach them. You'll only want to work

with business savvy designers who know how to weave proven marketing strategies

into your projects. Ask the designer what expertise they have in marketing and


8. How they evaluate the success of your project. Many designers feel they've

done an adequate job by just creating something that they feel looks cool or

neat. Your goal will probably go beyond looking cool into gaining market share,

boosting revenue, more brand awareness, etc. Make sure the designers evaluation

of your project's success is the same as yours. After all, design that doesn't

bring in any results or revenue is just art - and unless you sell art, it won't

make you any money.

9. Their demeanor towards you and their other clients - The designer should

function as your marketing and design department, so you'll end up working closely

with him/her. Do you feel the designer has a good attitude towards you and your


10. Value - notice value is listed here and not price. Smart business owners

know that value rather than price should dictate what decisions she/he makes.

Do you feel you will get results and a good value from working with the designer?

Do you feel you'll get more than your investment back from working with the


Jeremy runs the only business savvy graphic design firm who helps companies build more confidence and credibility into their business identities. “I help you take your business' vision and shape it into a company identity that will make you look better, feel better and have more confidence about your business.” Like the article?

Email Jeremy today at for your choice of a free insider’s bulletin:

“How to Choose the Right Marketing/Design Firm for You” or “Top Ten Questions Designers Don’t Want You to Ask Them”.

You’ll also want to check out the “Can-Do Confidence Builder”. Emailed weekly, the Confidence Builder provides you with essential marketing and design insights that help you get the most out of your marketing/design investments and help you to stay one step ahead of the competition.

Remember to include in your email your name, which Insider Bulletin you would like to receive and any additional feedback.

Learn more about Jeremy and how you can gain a competitive advantage with a better brand by visiting

By: Jeremy Tuber

Hiring the Right Graphic Designer for Your Small Business

Every small business needs it, but not many have it. I am not talking about cash flow, clients or even your product or services to sell. Yes, all of these things are absolutely necessary. But, what I am talking about is something most small business owners overlook. It is the need to hire an expert graphic designer.

In a highly competitive marketplace, hiring an expert graphic designer can mean the difference in whether your product or service stands out and gets noticed or in having it lost in the fanfare generated by your business rivals.

Now, more than ever, hiring an expert to create your marketing and communication materials (also called collateral materials) is one of the most vital ingredients in the success of your small business.

Hiring the right graphic designer -- a true expert -- is a bit more involved than just randomly choosing someone from the Yellow Pages or hiring your third cousin because he is creative and owns a new computer.

If you are not careful, you may find yourself hiring the wrong person for the wrong reasons, which may cause more harm than good to your small business.

This is a big deal. After all, this person will be creating the look and identity of your small business seen by all of your prospects and customers. It is essential that you don't just hire anyone.

Here are five things you need to do in hiring the RIGHT graphic designer for your small business.

Number 1: Understand that graphic design is an investment, not an expense. This investment will pay huge dividends for the image of your business and in determining its future success. You need to be willing to invest in hiring a qualified, experienced professional, rather than hiring the cheapest person you can find. The old adage get what you pay genuinely true.

Naturally, your budget is an important issue in choosing a designer. I am not saying you need to fork over thousands upon thousands of dollars to the person you hire. But, if you hire the cheapest you can find and shop on price alone, I promise, you will get exactly what you pay for.

Number 2: Not all graphic designers are created equal. Just because someone says that he/she is a graphic designer doesn't mean that the person is necessarily worth his/her salt. The key here is to examine that person's portfolio of work.

Graphic design is more than pretty pictures or cool graphics. It is a visual means of solving complex business problems by communicating the essence of your business message and personality. Therefore, when you are looking at the designer's portfolio don't just take a quick look. Dig in and ask many questions about the work.

What was the design problem? How was it solved? What was the concept behind the design solution? Why were the colors chosen? Why was the format chosen? What were the results? Was the client satisfied?

If the designer can't answer these questions or answers with "I did it this way because it looks cool..." or "I used yellow because it is my favorite color..." move on.

Number 3: Hire a designer with experience. Someone fresh out of design school may be enthusiastic about working for you, but may not be the best investment you can make.

You should hire a designer who has, at the very least, three or more years of real world experience under his/her belt.

The more experience a designer offers, the better he/she will be able to steer you away from potential headaches and pitfalls. An experienced designer can suggest ways to handle your project that you may never have thought of before.

A seasoned designer will also have a good idea of what works and what doesn't work, such as the best way to format a direct mail piece or which colors and fonts work best in conveying the message and feeling you are trying to communicate.

Experience relates back to the first point I made. Hiring an experienced designer is a better investment of your marketing dollars.

You probably wouldn't feel comfortable hiring someone with little experience in medicine to perform surgery on you...the same can be said for hiring a designer. Essentially a designer is performing surgery on your business by constructing the look and feel of your design project.

Bottom line: real world experience is priceless.

Number 4: Check references. If the designer you are considering has done a stellar job for previous and/or current clients, that professional should not hesitate in giving you names of people that attest to that fact. No references should be taken as a big red flag.

When contacting references, which you should, ask questions about the overall experience with the designer.

Is the designer a professional? Would you use the designer again? Do you feel you got your money’s worth? Did he/she deliver the project within the timeframe and the budget upon which was originally agreed? Does the finished piece solve your problem? Ask, as many questions as you think will apply to your particular situation.

Number 5: Honestly discuss your budget. Budget is usually the proverbial 800-lb gorilla in the middle of the room. Most everyone has a budget in mind, but not many want to discuss it.

If you have done steps one through four, you will be close to hiring someone that is not a trained sales killer and is not just interested in taking all of your money, so you can be open and honest with them.

Having a candid discussion with the designer about what you can practically afford is vital, because:

First: It lets both of you know, right off the bat, whether you can work together. You won't waste time much is this going to cost me or do I have the money to hire this person?

Second: It will allow for a discussion of what you can expect in exchange for the money you will spend.

Obviously, the key is to hire a designer that can work within your budget.

To do that, you MUST have an honest and open discussion about money. No one wants a last minute surprise about what it will cost to work together.

One last thing...

You should view the graphic designer you hire as your strategic business partner and an invaluable member of your team. Sure, you can hire a pro just once to create only one specific design solution, but hiring a graphic designer with a rich breadth of capabilities and experience that you can tap into repeatedly is a much wiser investment.

As a small business owner, you have a vision, opportunity and direction for your business. The designer’s job is to come along side you and develop the best visual solution to fulfill that vision, opportunity and direction.

It is your brand. It is your image. It is your business message that the designer will be communicating visually. Make sure whomever you hire aligns with these key points discussed.

Hiring the RIGHT graphic designer really is THAT important.

Jeanna Pool is President of CATALYST creative, inc., located in Denver, Colorado. She helps small business owners who are really good at what they do, but struggle to market their services effectively to attract more clients on a consistent basis. She can be contacted at or call 303.380.9100.

By: Jeanna Pool